Koala

Tested On Animals

Motion Design

Working with Collider director Dylan Duclos, Studio was tasked with the concepting and creation of a hypothetical facility whereby Koala conducts experiments on ‘animals’, that is, people with very strong characteristics of animals.

Animal Testing Ahead lettering laid across the polished floor of the white corridor

We created a humorously clinical and minimalist facility to extend the world of the stories in the three commercials. Featuring exacting architectural features, sterile observation rooms and ominous security glass, we tried to depict a serious and intimidating place to support the absurd stories.

VFX render of two blurred figures behind frosted glass beside a large numeral three

All the facility spaces beyond the room featuring actors were created as CG sequences. To help the spaces feel alive and believable we created subtle moments where the viewer gets glimpses into the inner workings of the place such as figures behind frosted glass, a warning light, doors ajar or an equipment trolley waiting to be used.

Typography, specifically in the form of highly stringent and intentionally pedantic wayfinding and identification systems, played an important role in providing the scientific atmosphere of the place. This sensibility also found its way into specific props and details such as books, clipboards (featuring corporate test protocols) and even facility maps.

Tested On Animals wayfinding type system sheet listing rooms, sectors and directions
Corridor signage in the Koala facility pointing to the dirt room and wet habitat
Angled detail of a doorway labelled Configuration Chamber in soft grey light
Animation still of a lift lobby signed Animal Testing Facility in fine grey type
Gloved researcher holding a clipboard headed Creative Differences with one box ticked
Koala hardback titled The Zen Art of Not Giving a Flyf with an orange ribbon
Woman dozing on a green sofa with the open book resting on her chest
Test sheet ticking off Sit, Slouch and Spoon as a researcher marks the page
Small hands reaching up to a white hatch labelled Sugar Chute with a drink icon

Credits:

MP/Executive Producer: @rachaelforddavies
Executive Producer: @slater.tom
Production Manager: @christaharter
1st AD: @darinberlin
DOP: @christopher__miles
1st AC: Rob Tench
2nd AC/Data: @raimondo_giulio
VTR: @nickyboywilliams
Gaffer: @botobiasandersson
ELX Assist: @balint.major
Key Grip: @davegriffo74
Grip Assist: Daniel Boyd
Production Designer: @cloejouin
Props Buyer: @loranmamo
Standby Props: @simonway
Sound: @lukeafuller
Wardrobe Stylist: @livvvsimpson
Wardrobe Assist: Kit Croker
HMU: @cherrycheungmakeup
HMU Assist: Amelia Dogers
Medic: @ausaction_medic
Runner: Charlie Tyler
Unit Manager: @unitdepartment
Stills Photographer: @christopher_tovo
Stills Producer: Matt Chee
Stills Production Manager: Bec Deasy
Stills Art Director: Luke Simkins
Casting: @byrnecreative
Casting director: @sarahlmcgrath
Editor: @_adamwills
Colourist: @yannikronenberg
VFX: @collider.studio
Online: @whitechocolatepost
Post Sound: @sonarmusicofficial
Executive Producer: @sophiechaydon
Producer: @elbrandwood
Sound Designer: @t_bridge
Creative Director (Global): Nev Fordyce
Producer (Global): Nikki Jones
Senior Copywriter: Marc Dwyer
Producer (Australia): Freya Berentse



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